With a fervent fanbase in tow, The Motet have sold out shows across the nation, performed six headlining slots at Red Rocks and sets at festivals such as Bonnaroo, Bottlerock, Electric Forest, Bumbershoot, Summer Camp, and High Sierra.īut even after their 20+ years of accolades and recognition, the legendary outfit – composed of Dave Watts (drums), Joey Porter (keys), Garrett Sayers (bass), Drew Sayers (keys and saxophone), Ryan Jalbert (guitar), and new singer Sarah Clarke – are still exploring new sonic ideas and finding new ways to showcase each other’s skill sets. This symbiosis has led to a unique style and cohesive musical chemistry, as seen in the band’s immaculate live performances and seamless blend of funk, soul, jazz, and rock. Their show was high-energy and fun, and they are worth checking out in a live setting.” – Digital Journalįorming over two decades ago, the funk six-piece The Motet have learned to work as an interlocking unit, with each member bolstering one another towards the best creative output. Almost Queen captured the essence of Queen’s classic songs both from a sonic and lyric standpoint. “Almost Queen proved that they are the best Queen tribute act around. If Freddie were alive today he’d queue for tickets!” – Eric Cook, Demolition Records “Without a doubt, Almost Queen are probably the finest testimonial to Queen I have ever had the pleasure in seeing. “I had heard a lot of great things about these guys, but the show was even better than I imagined.” – Randy Jackson Donning genuine costumes, Almost Queen recaptures the live energy and precision that is the ultimate Queen experience. Almost Queen delivers a live performance showcasing signature four-part harmonies and intricate musical interludes. It’s been described as the most authentic Queen live show since the days of Queen themselves. Tickets: $35 in advance (plus applicable surcharges), $39 at the gate Tickets: $30 in advance (plus applicable surcharges), $35 at the door
She wrote to speak her truth, to save her own life – and perhaps throw a rope to others struggling with the weight of a world moving too fast, loves where you fall too hard and nights that, good or bad, seem to go on forever.Ģ021 saw Reckless, her Thirty Tigers/now Sony Music Nashville debut, and lead single “Wilder Days” topping critical lists from Rolling Stone, TIME, Stereogum, New York Times, Boston Globe, FADER, Tennessean, Whiskey Riff, Billboard, and The Boot and Taste of Country who both proclaimed, “a once-in-a-decade debut.” With a voice that is raw hurt, deep knowing and somehow innocence retained, Wade wrote or co-wrote a song cycle about the reality facing teens and 20-somethings that embraced raw desire, the reality of getting high and getting sober, the realm of crawling through the wreckage with a tough vulnerability that is as singular as the young woman from Floyd, Virginia.
Morgan Wade didn’t write to be a sensation, for critical acclaim or massive concert tours.
With Nate Fredrick and The Wholesome Boys
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